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A Literary Adventure in Art History
Browse: Home » Spanish Baroque Series
Baroque Spain: El Greco. A Lonely and Royal Christ.

Baroque Spain: El Greco. A Lonely and Royal Christ.

October 12, 2011 · by Amy · in Series, Shorts

I want to preface today’s discussion by noting that I’ve included El Greco in this series on Spanish Baroque because, in Spain, he is the link between “mannerism” and the “true Baroque” style. He combined mannerist forms with Baroque drama. …

Baroque Spain: El Greco. Death and the Supernatural.

Baroque Spain: El Greco. Death and the Supernatural.

October 10, 2011 · by Amy · in Art History, Art Theory, Sacred Art, Series

This week in the Spanish Baroque series will be a little different. We’re going to take a look at the art of El Greco. Today, we’ll examine his Burial of the Count of Orgaz. I will try to post a…

Baroque Spain: Devotion on Canvas.

Baroque Spain: Devotion on Canvas.

September 30, 2011 · by Amy · in Art History, Art Theory, Explorations, History

In 1622, Pope Gregory XV  began restoring and tightening Rome’s grip on the Church’s rightful and overwhelming influence in the world. (His successor, Urban VIII, continued his work and founded a missionary training college that would send messengers of the…

Baroque Spain: Experience Christ.

Baroque Spain: Experience Christ.

September 14, 2011 · by Amy · in Art History, Sacred Art, Shorts

Save the art of Baroque Italy, nothing approaches the intense spirituality of Spanish Baroque art. Through a series of short essays over the next few weeks, we’ll explore the art, religious history, and politics of this militant, devoutly Catholic country in…

What to Expect From Your First Art History Course


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Applying to Graduate School

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Currently Reading

The Collector of Lives: Giorgio Vasari and the Invention of Art
Noah Charney and Ingrid Rowland
W. W. Norton & Company (2017)

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"In every group of travelers, every bunch of tourists in a bus, there is at least one man who insists on pointing out to the others the beauty or interest of things they encounter, even though the others can see the things, too: we are that man, I am afraid, au fond."
— Michael Baxandall

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