Salome, the femme fatale. - March 19, 2013

  • Mark’s version of John the Baptist’s beheading was used for this post. See: Mark 6:14-29 (ESV)
  • Metropolitan Museum of Art: Henri Regnault, Salome (1870). Explore the painting in detail at the Met’s website.
  • Related post: “Dancing Seductress: Salome” - November 18, 2011.

Art History in the Digital Age. - March 7, 2013

Caravaggio’s Bodies & Shadows at LACMA. - February 8, 2013

Skepticism Surrounding Caravaggio Discovery. – July 6, 2012

Caravaggio the Leader. - May 25, 2012

Note: This entry has endnotes at the end. Below, you’ll find nonspecific bibliographic information.

  • Helen Langdon, Caravaggio: A Life, 1999.
  • Walter Friedlaender, Caravaggio Studies, 1955.
  • Walter Friedlaender, “The ‘Crucifixion of St. Peter’: Caravaggio and Reni,” Journal of the Warburg and Courtauld Institutes, Vol. 8, (1945), pp. 152-160.
  • Catherine Puglisi, Caravaggio, 2000.
  • Richard E. Spear, The ‘Divine’ Guido: Religion, Sex, Money, and Art in the World of Guido Reni, 1997.
  • Andrew Graham-Dixon, Caravaggio: A Life Sacred and Profane, 2010.
  • Creighton E. Gilbert, Caravaggio and his Two Cardinals, 1995.
  • Sebastian Schutze, “Caravaggism in Europe: A Planetary System and its Gravitational Pull,” in Caravaggio and his Followers in Rome, 2011.
  • Joseph F. Chorpenning, “Another Look at Caravaggio and Religion,” Artibus et Historiae, 1987.

On Anthropomorphism. - April 4, 2012

  • “Notes from the Field,” The Art Bulletin, March 2012. Essays by: Elizabeth King, Carolyn Dean, J.M. Bernstein, and Jane Garnett and Gervase Rosser.

Leave Art to the Professionals (?) - March 18, 2012

CAA 2012. - March 7, 2012

  • Karen J. Lloyd, “A New Samson: Scipione Borghese and the Representation of Nepotism in the Vatican Palace,” presented in the session Art & Architecture in Europe: 1600-1750 (chair: John Beldon Scott), February 25, 2012.
  • Jason Ciejka, “Rhetoric and Narrative in the Architecture of Carlo Rainaldi, presented in the session Art & Architecture in Europe: 1600-1750 (chair: John Beldon Scott), February 25, 2012.
  • Domenico Bernini, The Life  of Gian Lorenzo Bernini, trans. Franco Mormando, Penn State Press, 2011.
  • Franco Mormando, Bernini: His Life and His Rome, University of Chicago Press, 2011.

The Mughal Empire: Jahangir. – February 24, 2012

Celebrating Romance. - February 14, 2012

Heaven. - January 31, 2012

The Death of Higher Education. - January 6, 2012

The Nativity. - December 22, 2011

  • The National Gallery of Art, Audio tour for The Adoration of the Magi by Fra Filippo Lippi & Fra Angelico.
  • Catechism of the Council of Trent, translated by Rev. Donovan, 1829.
  • St. Ignatius, Spiritual Exercises, 1522-24.

The Annunciation. - December 16, 2011

Vengeful Seductress: Judith. – November 30, 2011

Sexy Seductress: Potiphar’s Wife. – November 28, 2011

Dancing Seductress: Salome. - November 18, 2011

On Halloween, Remember You Will Die. - October 31, 2011

  • Atlas Obscura: Chiesa Dei Morti
  • Charlene Villasenor-Black. Various Lectures. Art His 109A, Spring 2010. University of California, Los Angeles.

Baroque Spain: El Greco. Death and the Supernatural. - October 10, 2011

  • Victor Stoichita, Visionary Experience in the Golden Age of Spanish Spanish Art, 1995. Preview it on Google Books.
  • Charlene Villasenor-Black. Various Lectures. Art His 109A, Spring 2010. University of California, Los Angeles.
  • Catechism of the Council of Trent, translated by Theodore Alois Buckley, 1852.

Baroque Spain: Devotion on Canvas. - September 30, 2011

  • Delphine Fitz Darby, “Review: Ribera by Elizabeth du Gué Trapier.”  The Art Bulletin, Vol. 35, No. 1 (Mar., 1953), pp. 68-74
  • Charlene Villasenor-Black. Various Lectures. Art His 109A, Spring 2010. University of California, Los Angeles.

Happy 440th Birthday, Caravaggio! – September 29, 2011

  • Philip Sohm, “Caravaggio’s Deaths.”  Art Bulletin, 84,  2002, pp.449-468.

King David: Symbol of Perfection and Justice – September 21, 2011

  • Leo Bersani and Ulysse Dutoit, Caravaggio’s Secrets. MIT Press (October Book Edition). 1998.
  • David Stone,  “Self and Myth in Caravaggio’s David and Goliath Paintings,” in Caravaggio: realism, rebellion, reception, ed. Genevieve Warwick, 2006.
  • Joy Kenseth, “Bernini’s Borghese Sculptures: Another View.” Art Bulletin.  Vol. 63, No. 2 (Jun., 1981), pp. 191-210.

It’s Hard not to Love Caravaggio. - September 8, 2011

Many  phenomenal sources contribute to the way I think about Caravaggio, and therefore directly (or indirectly) affect everything I write about him. A very well compiled list of scholars who have contributed to our understanding of Caravaggio can be found here.

King David: Hero, Sinner, Friend of God - September 7, 2011 (Part 1 of 2)

  • Bonnie Bennett and David Wilkins. Donatello. Mt. Kisco: Moyer Bell Limitec, 1984.
  • Laurie Schneider Adams. “Donatello’s Bronze David.” The Art Bulletin 55.2 (1973): 213-216.
  • Louis Rèau. Iconographie de l’art Chrètien. Vol. 2. Paris: Presses universitaires de France,1955-59. 3 vols.

A Haggardly Beautiful Mary Magdalene - September 6, 2011

  • Bonnie Bennett and David Wilkins. Donatello. Mt. Kisco: Moyer Bell Limitec, 1984.
  • Martha Levine Dunkelman. “Donatello’s Mary Magdalen: A Model of Courage and Survival.” Women’s Art Journal 26.2 (2005): 10-13.

Dürer and the Man of Sorrows – August 31, 2011

The Massacre at Chios - August 24, 2011

On the Power of Aesthetics and Artistic Intent – August 22, 2011 (Note: Although I read all of the following sources, they did not all make it into the essay. They are, nevertheless, informative.)

What is Resemblance? - August 4, 2011 (Rev. August 5, 2011)

What is Art History? - June 28, 2011

Boring History - June 17, 2011

The Value of my UCLA Degree – June 3, 2011