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An Adventure in Art History, 2010 - 2018
Browse: Home » Art History » Page 6

Happy 440th Birthday, Caravaggio!

September 29, 2011 · by Amy · in Art History, Caravaggio, History

Happy Birthday, Caravaggio! You’ve had a great year. People all over the world, especially Italy, celebrated the 400th anniversary of your death on July 18, 1610. Exhibits displaying your masterpieces sprung up internationally, a couple new books about your life…

King David: Symbol of Perfection and Justice

September 21, 2011 · by Amy · in Art, Art History, Explorations, Sacred Art

Note: This is part two of my series on Renaissance and Baroque depictions of David. Part One of this series explored the story of King David and, despite his shortcomings, how he came to be a Renaissance hero. Not only…

Baroque Spain: Experience Christ.

September 14, 2011 · by Amy · in Art History, Sacred Art, Shorts

Save the art of Baroque Italy, nothing approaches the intense spirituality of Spanish Baroque art. Through a series of short essays over the next few weeks, we’ll explore the art, religious history, and politics of this militant, devoutly Catholic country in…

It’s hard not to love Caravaggio.

September 8, 2011 · by Amy · in Art History, Caravaggio, Explorations, Sacred Art

What’s not to love about Caravaggio? He was talented, considerably wealthy, popular, and maintained a sultry bad-boy image. He created an in-demand artistic style that attracted the most powerful patrons in Rome and numerous followers. For all his merits, he…

King David: Hero, Sinner, Friend of God.

September 7, 2011 · by Amy · in Art History, Explorations, Religious History, Sacred Art

King David. When he was only a teenager, he was anointed by Israel’s prophet, Samuel, to be Israel’s next king. God needed to restore purity in his appointed earthly rulers after Saul defiled his divinely appointed post by disobeying God and taking…

A Haggardly Beautiful Mary Magdalene

September 6, 2011 · by Amy · in Art, Art History, Essay, Explorations, Religious History, Sacred Art, UCLA

This Mary Magdalene was sculpted by Donatello. Artistically and materialistically, the sculpture departs from his smooth bronze and marble work. Mary stands over 6′ tall, made of wood and gesso.  More than stone or marble, I believe the wood and…

Albrecht Durer and the Man of Sorrows

August 31, 2011 · by Amy · in Art, Art History, Explorations, Jesus, Northern Art, Religious History, Sacred Art

Albrecht Dürer was born in 1471 to a successful family, the head of whom was a goldsmith. When he was 15, Dürer began studying with Michael Wolgemut, a German printmaker. It was under his tutelage that Dürer shaped into a…

The Massacre at Chios

August 25, 2011 · by Amy · in Art, Art History, Essay, Explorations, School, UCLA

Note: I wrote the following essay excerpt for UCLA’s 19th Century European Art course. It was written against the backdrop of life change, excitement, death, and grief. The class was my first at UCLA, and the course’s professor was the…

On the Power of Aesthetics and Artistic Intent

August 22, 2011 · by Amy · in Art, Art History, Art Theory, Explorations

I remember the first and only time I’ve experienced something close to Stendhal’s Syndrome. I was traveling in Rome. It was 2007, and I was 18. I had just seen the Pantheon, eaten chocolate gelato for a refreshing treat, and was…

What is Resemblance?

August 4, 2011 · by Amy · in Art, Art History, Explorations

This brief exploration stems from a conversation I had with an art history professor earlier this year. “Well, what is resemblance?” he mused. Ever since he asked, I’ve had it nipping at the back of my brain, waiting to be…

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Currently Reading

The Collector of Lives: Giorgio Vasari and the Invention of Art
Noah Charney and Ingrid Rowland
W. W. Norton & Company (2017)

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"In every group of travelers, every bunch of tourists in a bus, there is at least one man who insists on pointing out to the others the beauty or interest of things they encounter, even though the others can see the things, too: we are that man, I am afraid, au fond."
— Michael Baxandall

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