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An Adventure in Art History, 2010 - 2018
Browse: Home » Art Theory

On Anthropomorphism

April 4, 2012 · by Amy · in Academia, Art History, Art Theory, Explorations

In the March 2012 issue of the Art Bulletin, Notes From the Field discusses anthropomorphism. What is it? Is it a good term, or bad? Does it make sense in the modern world? Is it in the eye of the…

Dancing Seductress: Salome

November 18, 2011 · by Amy · in Art History, Art Theory, Caravaggio, Explorations, Series

Salome is one of many “bad girls” in art history. The step-daughter of King Herod, she was partially responsible for killing John the Baptist. You can read the full story in Mark 6:14-30. Herod was hesitant to kill John, for…

Baroque Spain: El Greco. Death and the Supernatural.

October 10, 2011 · by Amy · in Art History, Art Theory, Sacred Art, Series

This week in the Spanish Baroque series will be a little different. We’re going to take a look at the art of El Greco. Today, we’ll examine his Burial of the Count of Orgaz. I will try to post a…

Baroque Spain: Devotion on Canvas.

September 30, 2011 · by Amy · in Art History, Art Theory, Explorations, History

In 1622, Pope Gregory XV  began restoring and tightening Rome’s grip on the Church’s rightful and overwhelming influence in the world. (His successor, Urban VIII, continued his work and founded a missionary training college that would send messengers of the…

On the Power of Aesthetics and Artistic Intent

August 22, 2011 · by Amy · in Art, Art History, Art Theory, Explorations

I remember the first and only time I’ve experienced something close to Stendhal’s Syndrome. I was traveling in Rome. It was 2007, and I was 18. I had just seen the Pantheon, eaten chocolate gelato for a refreshing treat, and was…

What to Expect From Your First Art History Course


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Currently Reading

The Collector of Lives: Giorgio Vasari and the Invention of Art
Noah Charney and Ingrid Rowland
W. W. Norton & Company (2017)

Wise Words

"In every group of travelers, every bunch of tourists in a bus, there is at least one man who insists on pointing out to the others the beauty or interest of things they encounter, even though the others can see the things, too: we are that man, I am afraid, au fond."
— Michael Baxandall

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