Caravaggista
Menu
  • Home
  • Start Here
  • About
  • Resources
    • What to expect from your first art history course.
    • Applying to graduate school in art history.
  • Q & A
An Adventure in Art History, 2010 - 2018
Browse: Home » Series

A Quiet Holiness: Caravaggio’s Madonna di Loreto

August 5, 2013 · by Amy · in Art History, Caravaggio, Explorations, Sacred Art, Series

Gentle, sensuous, tender, human. These are just a few of the words that describe Caravaggio’s depictions of the Virgin Mary. His Marian works rarely, if ever, reflect the same vibrant optimism seen in his peers’ paintings of the Virgin.1 Rather, glorification of the…

The Nativity

December 22, 2011 · by Amy · in Art, Art History, Jesus, Religious History, Sacred Art, Series

The Nativity of Jesus is drawn from accounts of Christ’s birth in the Gospels of Luke and Matthew. Following the Annunciation, Mary tells Joseph that she is with child and goes to visit her relative, Elizabeth, who is pregnant with John…

Vengeful Seductress: Judith

November 30, 2011 · by Amy · in Art, Art History, Caravaggio, Explorations, Religious History, Series

I’m so excited about this post. Since it obviously can’t be book or even research paper length, I have to warn you that it will not do justice to the topics it addresses (Artemisia Gentileschi, Caravaggio, Caravaggisti, Judith, Judith Slaying…

Sexy Seductress: Potiphar’s Wife

November 28, 2011 · by Amy · in Art History, Explorations, Series

The story of Joseph and Potiphar’s wife can be found in Genesis 39. At this point in Joseph’s story, he had been nearly killed and then sold into slavery by his brothers and had wound up in Egypt in Pharaoh’s,…

Dancing Seductress: Salome

November 18, 2011 · by Amy · in Art History, Art Theory, Caravaggio, Explorations, Series

Salome is one of many “bad girls” in art history. The step-daughter of King Herod, she was partially responsible for killing John the Baptist. You can read the full story in Mark 6:14-30. Herod was hesitant to kill John, for…

Baroque Spain: El Greco. A Lonely and Royal Christ.

October 12, 2011 · by Amy · in Series, Shorts

I want to preface today’s discussion by noting that I’ve included El Greco in this series on Spanish Baroque because, in Spain, he is the link between “mannerism” and the “true Baroque” style. He combined mannerist forms with Baroque drama. …

Baroque Spain: El Greco. Death and the Supernatural.

October 10, 2011 · by Amy · in Art History, Art Theory, Sacred Art, Series

This week in the Spanish Baroque series will be a little different. We’re going to take a look at the art of El Greco. Today, we’ll examine his Burial of the Count of Orgaz. I will try to post a…

What to Expect From Your First Art History Course


Click here to download this guide for free.

Applying to Graduate School

Click here to download this guide for free.

Currently Reading

The Collector of Lives: Giorgio Vasari and the Invention of Art
Noah Charney and Ingrid Rowland
W. W. Norton & Company (2017)

Wise Words

"In every group of travelers, every bunch of tourists in a bus, there is at least one man who insists on pointing out to the others the beauty or interest of things they encounter, even though the others can see the things, too: we are that man, I am afraid, au fond."
— Michael Baxandall

Connect on the Web

   

Copyright © 2025 Caravaggista

Powered by WordPress and Origin